Monday, 18 July 2011
Rocking and rolling...
I really feel like I need a little break - I'm cream-crackered - and what better than one that isn't costing me an arm and a leg?!
I've visited Frankfurt in the past, about ten years ago, when I was helping out with an international exchange of staff with Jobcentres in England, France and Germany. It was a wonderful experience and great fun was had amid oodles of hard work and lashings of German beer and wine!
I shall be looking forward to re-visiting Goethe's childhood home which is very beautiful and atmospheric, the old town and financial quarter, art galleries, seeing the incredible skyscrapers along the river-scape and taking in a leisurely coffee or five...
Hell, I might even do some swimming - It's been ages since I did and I think it's about time.
Often when we are caring for others so much, we neglect ourselves.
Are you guilty of that, mes bloggy beauties?
More about Frankfurt laters, bis bald!
Monday, 6 June 2011
Very Vintage Vie...
As I mentioned last week, I've been inspired by finding some lovely new bloggers who have taken Vintage to their hearts, and who decorate themselves and their homes with the results...
Check out Vintage Vixen and Helga von Trollop across there in the sidebar if you wish to see, please?
My most favourite amie in Blogworld (and other worlds!) is Sara of Fab, Feisty and Fifty (she is!), and she always made me dream with her tales of searching for Vintage clothes and items, and selling them online from her Sara's Attic on Etsy. I envied her her style and taste. I still do.
And, at the same time, there is something about this day and age that we are living through. ~ When folding cash is thinning in my purse; When it seems obscene for me to covet new things for my home, when I've always been drawn to 'stuff that has lived'... I love old things.
When I was younger, I always wanted my home to be filled with half-modern, half-antique furniture. It is. I don't think it's necessarily well co-ordinated, and it is far from finished, but I do love to search Thrift, Vintage and Antique emporiums looking for bargains and loved, needful things. I just don't do it that often, and the north east is a bit short of good places to find stuff, it seems to me...
However, I think the growing numbers of lovely ladies across the world, who are making a small living, and making their homes and themselves look beautiful, quirky, fascinating, unique by drawing upon discarded fashions and once-trendy labels are little crackers one and all.
And why not?
I only wish I were thin enough to wear the fashions. A plus-size girl can still dream though...
(Postscript: Thank you to my friends who, stopping to leave a comment recently, said - Go join a patchwork class if you can't find a patchwork quilt that you love; Go find someone to teach you crochet, when you've got as far as buying wool and a hook.
Inspired by you, I've signed up for the next batch of crochet sessions at a nearby wool shop, Treacle Wool - I never knew they offered them. And I've checked out and signed up to hear about quilting classes at a more distant barn, formerly a farm, beside the sea. I'm not there yet, but I'm working towards things - And if you hadn't told me to get my act together, I would not have done it. So, to you, ta muchly!)
Friday, 22 April 2011
Fragments of the Artist's Life...
Many moons ago, some of you were very kind as to comment on a little piece of my creative writing - I play with words. I dream (occasionally...) of being a writer and yet am probably too lazy to actually get on with it. Although I do become frustrated when I see some very bad writing, (in my humble opinion), achieving success out there in the publishing world. Do you, mes bloggy buds? Go on, whisper in my shell-like... That's what comments are for.
With this post today, I'm not fishing for compliments, but it would be enormously helpful to me if you could offer up some critique of this meagre snippet of writing.
I'm curious whether these few sentences would make you want to read on, if it were a historic chick-lit kind of story, for example? Please tell me if you think I need to give up, and step back from the pen now!
I was inspired to shape this fragment after seeing an image of the artist involved in a bound copy of Victorian newspapers from a private collection of books that are in the hands of the City Library in the centre of Newcastle. I looked down upon a black and white engraving that showed those artists who had been recently admitted as Fellows to the Royal Academy of Arts, and my finger fell on F. B. Dicksee.
I wasn't familiar with his name, as such, but after some research, I found I do know some of his paintings - His art to me appears very romantic and his talent is exacting. He was said to have frowned upon those artists whose shoddier, more modern work, came after him. I note he was classed among the Pre-Raphaelites, but I imagine he may have been lesser-known. He was a prolific artist. Perhaps that's why he never married. Maybe not. In later life, just after the turn of the Twentieth Century, he became the Academy's President.
CLICKIE here for more of his paintings. He was to remain a bachelor all his life.
I'm embroidering a past here... I'm imagining a thwarted, frustrated, slightly mad mistress - younger than he, and very lovely, 'though not quite of the same social or educational standing, (as appeared to be somewhat customary in certain artistic circles, see Jane Morris and Fanny Cornforth).
Forgive me, Frank.
"Oh, he's handsome all right, is Frank. Sleek, shiny brown hair, like that of a bear I saw once in a museum at South Kensington; falling down across his sweet face and parting to reveal a brooding, high intellectual brow that lets you know he is your better. Hazel eyes bear down into your soul, leaving open wounds. A piercing gaze, always looking off somewhere else. Dreaming of another painting, further high society commissions. Another grand dame perhaps, who'll harken to his every command. 'Turn this way, Mrs Foster. That's it! Up towards the light. Allow the air to cool your cheek. Let me see that passion in your eyes, chere Madame...' That was our problem, really, when I think back on it. When I'm not in my cups, of course. My jealousy of all those others.
I'd be thinking of him, longing for him really, while he was staring at another woman's tender form, half-naked, swathed in lengths of flimsy cloth and quivering slightly in the strong northern light from those great tall windows in his garret at the top of that draughty house of his. Long hours spent capturing another woman's beauty, when I should have been enough for him. He told me once that I was all he'd ever wanted. With flames of red for my hair and my blue Scottish skin, I was his enchanted Yseult, his sylvan maiden, Sylvia... Miranda... His alone. I never was with anyone else. Even though I was asked out by other men who'd spied me behind the high counter of the haberdasher's shop before he did.
Captivating, he was. All broad shoulders and strong arms, just like the bear. Warm and loving, for a time. Perched high above in his artist's eyrie, Greville House, 3 Greville Place, St. John's Wood, he wraps himself in a blue cotton, paint-speckled apron, and could watch the world go by without ever having to take any part in it, if such was his desire.
All those fine men with their dark secrets and pale mistresses, passing in the soot and rain-blackened street.
I wish from my heart that I'd never set eyes on him".
Wednesday, 1 December 2010
A Paean to Lizzie Rowe
Robert Clark, The Guardian, June 5th 2006.
"Hangups"
Robert Clark, The Guardian 2005
"Dysphoria"
"Rowe doesn't make easy political references to sexual and gender role playing; this is an artist who has painted first his, now her way out of social stereotypes and achieved, through immense creative and personal struggle, the liberation of being a self created individual. So here Rowe's long-time fascination with dresses and lace, her domestic reveries of ritualised laundering and ironing, are transformed with an aura of otherworldly melancholy and yearning.
So here Rowe's long-time fascination with dresses and lace, her domestic reveries of ritualised laundering and ironing, are transformed with an aura of otherworldly melancholy and yearning".
Robert Clark
Wednesday, 6 October 2010
p.s. I am too tired to think of a good post for today...
Today is all about YOU!
Thursday, 3 June 2010
The Spider, the Mistress and the Tangerine...
Having just recently learned of the death of an artist, a beautiful and yet tortured soul, I felt I had to put pen to paper... It doesn't sound so romantic when we say 'put fingers to tippy-tappy', does it?
Based in New York since 1938, Bourgeois gained fame late in her long career and kept working to the end of her life.
Her giant spider sculptures have been exhibited around the world and earned her the nickname of Spiderwoman.
Her abstract explorations of themes such as birth, sexuality and death made her one of the world's most influential contemporary artists.
Bourgeois suffered a heart attack two days ago.
Although she had long been regarded by her contemporaries as one of the world's most important artists, it was not until her seventies that she began to attract a wider audience.
Bourgeois titled this 30-ft (nine-metre) tall spider "Maman" |
Her spider sculptures - some of which are three storeys high - have been exhibited around the world, including the Tate Modern in London.
In a statement, the gallery said: "We were deeply saddened to hear of the death of Louise Bourgeois this weekend. Always at the forefront of new developments in art, she pursued a wholly personal path and was powerfully inventive, working in dialogue with the major avant-garde movements of her time".
I first saw the work of Louise Bourgeois only a few months ago, when I watched a somewhat cryptic film about her art, entitled Louise Bourgeois: The Spider, the Mistress and the Tangerine...
Her life and art spiralled around the facts of her bourgeois childhood, with her father fathering a child by her governess who lived in her home, while her mother attempted to ignore the situation... Her work dealt with relationships, motherhood, birth, death and re-birth...
I saw Louise speak about her life and her art, not without wit, while she whittled away at a wooden piece which she had been working on for many years, much like those she is surrounded by in the photo above...
A womanly figure emerged from the shavings. A totem. She also used metal and rubber, stone and even fabric in her life, somewhat fitting as the daughter of tapissiers...
Louise went on to influence many among of the modern circle of artists, including Rachel Whiteread, one of my favourites, who is fond of making casts of interiors of buildings and objects. Rachel won the Turner Prize in 1993, with this piece, House:
I hope Louise had a wonderful life.
Monday, 27 July 2009
Beautiful Blacks, Beautiful Whites...
Words on a printed page, it's all black and white, isn't it?
In the old days, you knew exactly where you stood, didn't you?
Medicine is all black and white; There are no grey areas are there?
Where there is darkness, there is also light...
Say what you need to say in life, spell it out - In Black & White.
