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Showing posts with label Legend. Show all posts
Showing posts with label Legend. Show all posts

Tuesday, 10 February 2009

Happily Ever After (not!) Camille Claudel Continued

Today, I just want to complete the tale of Camille Claudel, artist, sculptress, Rodin's Muse, and one of my heroines, if that's okay with you?

Confession time here, I read literature and learned art history while at school, and wondered exactly what it took to be an artist's muse, his inspiration... I day-dreamed of becoming a muse, with no chance whatsoever of experiencing at first hand what it might feel like.

Well, I guess, the closest I came once, was meeting an artist in Cumbria. He was a friend of my OH's cousin, and worked part-time in industry, while earning part of his crust selling his paintings.

He was reasonably well established and his canvases were, well... Interesting.

Cumbria, you say' All those wind-whipped, fluffy sheep, the dramatic, rolling hills, the lush greenery, the cavernous lakes, the pendant mists...

This chap painted Mexican scenes: Men in colourful sombreros and multi-layered ponchos... Nice!

He got a glint in his eye when we were discussing Paul Klee and modern art, in fact, he finally got me to appreciate modern art, and that was some task, I can tell you!

It must have been my Viva Zapata moustachio he was interested in! Can't have been anything else! viva zapata Pictures, Images and Photos

Camille was able to break free of the shadow of the famous sculptor with her later works, influenced by Japanese art, and Art Nouveau, in particular, the onyx and bronze Wave (La Vague 1897) shows us a group of women figures, holding hands in a circle before the towering Tsunami style wave...
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Similarly, Les Causeuses, is a tiny sculpture, showing a group of women, again in bronze, enrapt in conversation, oblivious to their surroundings, chattering and gossiping away, as only (perhaps) women and gay men can do!

However, from 1905 onwards, Camille began to exhibit odd behaviours, odd even for a Bohemian artist. She went on to destroy some of her art, send mischievous letters and drawings to Rodin and Rose Beuret, and I believe other important figures in the art world, perhaps also the press...

Photobucket Camille became unreliable, she probably drank too much, as she likely attempted to self-medicate against the evils of the world as she perceived them... She continued to rattle around her workshop, accusing Rodin of stealing her ideas and of leading a conspiracy to kill her.

When Camille's beloved father, who had continued to bankroll her career, died in March 1913, she was not told of his death, and on 10 March 1913, she was admitted to a psychiatric hospital, under the signatures of her brother and a doctor. A later diagnosis of her ills, describes her suffering from, " a systematic persecution delirium mostly based upon false interpretations and imagination". (Wiki).

It may be that committing her to an asylum was the best thing for Camille; It may also have been a question of her socially aware and influential family finding it easier to have their vagabond genius child sequestered away, out of harm's way... as her brother's art, influence and position in French society grew Did Rodin himself have anything to do with her being hidden away from view? Who really can tell?

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The facts remain that for a time, "the press accused her family of committing a sculptor of genius, and her mother forbade her to receive mail from anyone other than her brother. The hospital staff regularly proposed to her family that Claudel be released, but her mother adamantly refused each time. On 1 June 1920, her physician sent a letter advising her mother to try to reintegrate her daughter into the family environment. Nothing came of this".
In 1929 Jessie Lipscomb visited her, and her brother called in every few years...

Photobucket Camille Claudel died on 19 October 1943, after having lived 30 years in the asylum at Montfavet without a visit from her mother or sister. Her body lies at Monfavet.

What remains is her very personal, intimate and spell-binding art.

You can see it yourself at the Musee Rodin (formerly Hotel Biron), in Paris. It is well worth a visit of a few hours, and the gardens of the house on a summer's day are very welcoming.

Rodin gave his studios for a museum to the state before his death, and continued to work there rent-free as a result. Camille may even have stayed with him there, I'm not certain without consulting the book I have about her, written in French by her relation... A great-grand-niece, or something of that ilk...
Photobucket There is also a film of Camille's life - It is beautifully acted, with Isabelle Adjani and the inimitable Depardieu, not without its own fans, it also has its detractors, in terms of possible artistic licence. Once again, where are the experts? What is real, and what is fiction, when we talk about heroism and beauty?

One thing is certain, whatever the tragedy of her life, love and fate, Camille's art tells us all that we would ever wish to know about her...

Photobucket “My very dearest down on both knees before your beautiful body which I embrace.” Letter from Rodin to Camille Claudel (end of 1884 - beginning of 1885).

Photobucket “A superb brow above magnificent eyes of that rare blue so seldom encountered outside the covers of a novel,” Paul observed in 1951.

Photobucket And Rodin wrote, “With regard to the Hôtel Biron, nothing is settled yet. The idea of including some sculptures by Mlle Say [a phonetic pseudonym for Camille Claudel, Mademoiselle C., based on the French pronunciation of “c”] would please me very much. This house is quite small and I don’t know how the rooms will be arranged. There could be a few buildings for her and for me.”

Photobucket In Rodin's own words, "I invent nothing, I rediscover".

"The artist must create a spark before he can make a fire and before art is born, the artist must be ready to be consumed by the fire of his own creation".
rodin Pictures, Images and Photos

"To the artist there is never anything ugly in nature".

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And finally, while I was typing this on Monday, I experienced the serendipity of listening to Bette Midler on a UK TV chat show, singing Wind Beneath My Wings, with its lyrics, "Did you ever know that you're my hero..?"

So dedicated to all our heroes, I offer up a version of Bette singing that lovely song on her own show, "Bette". She is accompanied on the piano by the fabulously talented British actor, James Dreyfus.

The clip I saw of Bette might not ever make it to Youtube, so this might serve to raise a smile with you today - The quality is not great, but the sound is okay.

I hope you enjoy it after a couple of days of seriousness about all our heroes and heroines here!

Monday, 9 February 2009

Camille Claudel, Muse and Legend - An Heroic Life?

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Once again, mes braves, I am staying with the heroes and heroines in our lives thematic approach... This is Hera above.

The theme of what constitutes heroes and heroines, and who are our heroes, might be something I choose to return to from time to time... Hope you're okay with that? And my apologies in advance as this is a little long today, so I have decided to save half until tomorrow - The pictures, I think, make it appear longer, in any case...

It seems to me that in our history, we had some everyday heroes, such as Nelson, and perhaps Churchill - because the media and press weren't so much 'in our face' as they are today. It was easier to control the media then when there was less of it... When news and information, gossip and rumour, could not be found at the click of a mousie! At those points in history, it might have been easier to have held people closer to our hearts, to have plucked their image from a news sheet, and pasted it into an album, their thoughts and deeds keeping us warm on wintry evenings, simply because we didn't know all that there was to know about them...

Once we know their flaws, their Achilles' Heels - That they bite their toenails, for example, how easy is it then to hold their better deeds close to our hearts?

In this vein, I do not include those personal heroes, those who are known and much loved to us - The people I am loving you telling us about - Your mothers, fathers, brothers, sisters, courageous friends and wonderful acquaintances...

Back to the ramble - and wasn't it the proud and imperious Mr Darcy, channelled by Jane Austen, who said:

"My good opinion once lost, is lost forever... "

I quoted from Protege's comments yesterday, and do so once again today. She said, "Those who maintain...who can achieve what they wanted, whatever it is, just by keeping at it...it's so rare".

This could sum up my artistic heroine, Camille Claudel, almost entirely...Photobucket


Photobucket You may, or may not be aware, but Camille's story has been more or less hidden in the clay-spattered aprons of time... Perhaps her family wanted it that way... Camille was born, close to my own birthday in fact - I hadn't recalled that before now, on 8 December 1864, and was the older sister of the French poet and diplomat, Paul Claudel.

Camille was said to be entranced by stone and soil as a child... At this point, I'm dipping my head and entering the low stone portal of the Goddess Wiki, where else??! "as a young woman she studied with sculptor, Alfred Boucher. (At the time, the École des Beaux-Arts barred women from enrolling to study.)" Aah, did it now..., why am I not suprised?

"In 1882, Claudel rented a workshop with other young women, who were mostly English, including Jessie Lipscomb. In 1883, Camille met Auguste Rodin, who taught sculpture" to developing young talents in his studio in Paris.

Photobucket In or around 1884, Camille began to work alongside Rodin, learning from him and perhaps teaching him some things. ~ For years she merited his attentions, she was his muse, his confidante and his lover. Rodin, of course, was all this time married to Rose Beuret, mother of his son.

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There are all kinds of rumours about Camille - That she had two children with Rodin. She had an accident in which she lost his child... She had to terminate a pregnancy of his child...
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No-one can be certain, and records have been misted over with cobwebs and probably sources have been tampered with by well-meaning friends and relatives - Who among us really knows what passes between two lovers?

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And wasn't it Charlotte Bronte herself who threw sister Emily's second novel into the flames of the fire in the parlour in Haworth?!

Photobucket Camille's family never came to terms with her indiscretion, nor her love of a profession which was not entirely deemed seemly for one of her station in life... In 1892, Claudel ended her relationship with Rodin, although they saw one another regularly until 1898.

In 1903, she merited a headline exhibition at one of the famed Parisian salons... She was Rodin's muse, and influenced, to my mind, softened elements of his art and sculpture... She was a very talented sculptress in her own right; The famous art critic Octave Mirbeau wrote she was "A revolt against nature: a woman genius".
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"Her early work is similar to Rodin's in spirit, but shows an imagination and lyricism quite her own, particularly in the famous Bronze Waltz (1893). The Age of Maturity (1900), whilst interpreted by her brother as a powerful allegory of her break with Rodin, with one figure The Implorer that was produced as an edition of its own, has also been interpreted in a less purely autobiographical" way, as a powerful testament to pain, suffering and longing. The lone figure outstretches her arms, beseeching someone out of vision to enfold her, to love her...

Photobucket Camille came to Rodin's studio when he was working on the famous, Gates of Hell and The Burghers of Calais. She is probably the model used for the three female forms at the top of the gates. "The two artists had a mutual influence on one another; her Jeune Fille à la Gerbe of 1887 was a precursor of Rodin’s Galatea, and the Three Female Fauns are the inspiration for the female figures Claudel’s La Vague".

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Something I wrote earlier...

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